“Crazy days and reckless nights, limousines and bright spotlights…”

Title from Ringo Starr – Never Without You (song)

As the Hon. Galahad resumed his stroll, setting a course for the sun-bathed terrace, his amiable face was wrinkled with lines of deep thought. The poignant story to which he had been listening had stirred him profoundly. It seemed to him that Fate, not for the first time in his relations with the younger generation, had cast him in the role of God from the Machine.
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Full Moon is again another farce which deals with Fate in a convoluted yet rollicking way; but some elements of the plot set my reading experience apart from other “hoosegow” stories. Although Freddie Threepwood is still the Nature’s prune in Guv’nor’s and aunts’ sore perspectives, he is now an junior vice-president post in Donaldson’s Inc. to promote the interests of Donaldson’s dog biscuits around the reclusive country houses in England after his nuptial ties to an American tycoon’s daughter. Despite the supposedly formulaic plot that it is Uncle Gally who saves the day, Freddie’s alacrity in nosing other people’s businesses with his silver-tongued eloquence are put into good use, and it is a joyful consolation for me to view his accelerating confidence and “potential growth” in Freddie as if reading a coming-of-age novel. “It was not often that the Hon. Galahad found himself commending the shrewdness and intelligence of a nephew whom from infancy he had always looked upon as half-witted, but he did so now…” (p. 162) One day Freddie would be fruitfully reminiscing his reckless youth like Uncle Gally.

The Hon. Galahad snorted sharply. Himself a bachelor, he was unable to understand and sympathize with what seemed to him a nephew’s contemptible pusillanimity. There is often this unbridgable gulf between the outlook of single and married men.

There are characters such as Colonel Wedge, Freddie Threepwood as the “docile” husbands under the “tyrannical governance” of Lady Hermione and Aggie, with Tipton Plimsoll the American millionaire and Bill Lister the heavyweight champion as the most ever faithful lovers to Veronica Wedge and Prudence. Women are once again depicted as powerful opponents to masculinity in the aspect of love and matrimony. Quoting what Freddie says – “I love her with a devotion which defies human speech, but if you were to place before me the alternatives of disregarding her lightest behest and walking up to a traffic cop and socking him on the maxillary bone, you would find me choosing the cop every time. And it’s no good calling me a bally serf.” (p. 211) Indeed, the imagination of analogy and juxtaposition regarding aspects of human relationships that Wodehouse draws has a very sweetening and lyrical tone to readers’ ears and inspiring to the minds. Uncle Galahad, of course, is the admirable hero, but young generations are thrown into limelight, and he functions as the strategic guardian who has the warm heart to restore perfect endings of the light-hearted and good-natured lovers back on the right track.

In this case of Full Moon, it scores ten out of ten, due to the fact that the avuncular’s tone concerning different aspects of humanity and mentality is not expressed by the Fathers, Uncles, and Butlers, but through the bright, young, clever, but sometimes unscrupulous, reckless, distrait, downcast and quixotic striplings, and they are the ones continuing to win and melt our hearts.