I am awakened by the rich details and vast spectrum of topics covered in Death and Mr. Pickwick by Stephen Jarvis– a robust catapult of knowledge enrichment. During the reading, I had come across an interesting conversation between Joseph Severn and Robert Seymour at the gates of Hoxton House, discussing passion for portraitures and anecdotes of Mrs. Siddons, a famous Georgian tragedian. After a while, the name of “Anne Siggs” came alive on the paper,
But when I am in the drawing office at Vaughan’s, every morning there is a tall, ugly beggar-woman on crutches who passes by in the street. You always hear her, scraping the ground and calling for alms, and if you look out the window, there she is. Everyone in the area knows her – she is called Anne Siggs. But she has two unusual qualities. First, she is spotlessly clean, which is mystifying. Second, she tells everyone her sister is Mrs. Siddons, and that the actress refuses to acknowledge her own flesh and blood.
This unusual attributes seemed to be all the more intriguing; I wanted to gain more information on this eccentric but scrupulous beggar. She was mentioned in many sources, including The Streets of London: Anecdotes of Their More Celebrated Residents; and Vagabondiana, or Anecdotes of Mendicant Wanderers through the Streets of London, both by John Thomas Smith (1766–1833), an English painter, engraver and antiquarian (inspiration of Henry Mayhew’s later works).
Anne Siggs was born in May (year unknown) into a respectable family, whose father Moses Siggs was an industrious breeches-maker in Dorking, Surrey. However, an accident befallen on him resulting in deformity and early death. Anne Siggs was the second eldest. Moses’s expertise in astrology once portended his daughter would constantly encounter “a variety of wretchedness”. Death of Moses Siggs left the family in destitution; Anne was received into several families until she was around 20 years of age. She resided in various areas in London, by Swallow Street for thirty years; Upper John Street and Golden Square around the Piccadilly. Rheumatism begrudged her to get up at nine and wandered around till two. In her life she had been “knocked down, pinched, horsewhipped” and incurred all sorts of maltreatment, which enfeebled her senses and ended up using crutches. Unable to be a seamstress and striped off her personalty, Anne received life allowances from churchwarden due to her religious devotion (she was purported to have written few religious writing in life). Before her indisposition she was measured five feet seven, as tall as her father. Living at the back garret, not only her clothes but apartment was remarkably clean. Anne Siggs was often visited by doves and magpies at home, and kept an owl by herself.
Mrs. Salmon Waxwork had exhibited a wax figure of Anne Siggs in 1812 on 17 Fleet Street (Prince Henry’s Room) at the door entrance in alternated turns, but not as popular as Mother Shipton, that the hidden treadle at the step would all in a sudden “incensed” Mother Shipton to kick and snap patrons with her broom!